Page #002 → Videography

In my video practice, I intersect fashion, performance, and time-based media to explore identity, memory, and queerness. In works like To Play A Pawn and their fashion-focused pieces, video becomes a vessel for capturing transformation, tension, and the performative essence of identity. By reimagining fashion shows as living archives and staging time-sustained performances, William queers the constructs of time and space, allowing fleeting moments to linger and narratives to unfold beyond the immediate. Their videos challenge conventional representations, drawing from queer semiotics to encode symbols and gestures that redefine the mundane as extraordinary. Whether showcasing the fluid choreography of garments or the endurance of prolonged gestures, their work transforms video into both artifact and archive, inviting viewers to engage with layered narratives that blur the boundaries between personal and collective memory, ephemeral and eternal.

“To Play A Pawn” 5-Minute Supercut Video (from the 32 look collection) [2024]


“To Play A Pawn” Intro Video (from the 32 look collection) [2024]



“Randa Rose NYFW” Video (from the limited collection) [2023]

 

7-Sins Videos (from the 7 Sin Clock Piece in “William’s Summer of Rest & Relaxation) [2023]




“Liminal Space” (A Short Film) [2022]